Four young women travel to their college professor’s new country home for a weekend getaway, only to discover that the house has a malevolent past.
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Arthur Bishop is a veteran hit man who, owing to his penchant for making his targets’ deaths seem like accidents, thinks himself an artist. It’s made him very rich, but as he hits middle age, he’s so depressed and lonely that he takes on one of his victim’s sons, Steve McKenna, as his apprentice. Arthur puts him through a rigorous training period and brings him on several hits. As Steven improves, Arthur worries that he’ll discover who killed his father.
When twenty-four-year-old Jae is released from prison for killing her mother, she returns to her childhood home in small-town Ridgecrest. The desire to go anywhere but there prompts her to agree to join her brother on a road trip out to Death Valley – which results in getting them hopelessly lost in the most stunning, but unforgiving topographical terrain on the planet.
Following his forced retirement from an appalling rock band, Jason decides to vacation at Brittlehouse Manor, a health farm run by the leather-gloved, ex-Nazi scientist Dr. Storm. Along the way, Jason meets Judy, also on her way to Brittlehouse Manor to visit her aunt, who married Dr. Storm some years ago. Once they arrive, the pair realise rather quickly that something is wrong, probably because the other guests have had their brains surgically removed, or all the blood pouring from the sink, or possibly just because the creepy midget keeps telling them to brush their teeth.
Already deep into a second Cold War, Britain’s Ministry of Defense seeks a game-changing weapon. Programmer Vincent McCarthy unwittingly provides an answer in The Machine, a super-strong human cyborg. When a programming bug causes the prototype to decimate his lab, McCarthy takes his obsessive efforts underground, far away from inquisitive eyes.