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Lee Yoo-rim is a high school English teacher. He’s cute, clever… and shameless. Choi Hong is a student teacher, even though she is one year older than Yu-rim. She’s cynical and always plays hard-to-get when a man shows interest in her. While going out for drinks one night, Yu-rim suddenly tells Hong that he wants to have sex with her. Hong is hardly impressed. And so begins a battle of will and wits, both between each other and within themselves, as both Yu-rim and Hong are unsure of what each other wants and what they want themselves. Dating and desire mix explosively. What is the point of this strange relationship? What is the object of their desire?
Nani (Allari Naresh) is a trepid and fearful guy who works as a software engineer. Bullet (Sakshi Chaudhary) is a mafia don in Dubai. Her mother doesn’t know about Bullet’s profession. Bullet is forced to come back to India when her mother falls ill. Her mother’s last wish is to get Bullet married. That’s when Nani falls in love at first sight with Bullet when she visits a temple wearing a traditional dress. Rest of the story is all about what happens when a coward like Nani marries a gangster girl without knowing her real profession.
“My Babysitter’s a Vampire,” a comedic spin on pop culture vampires and scary movies in general, tells the story of three teens who believe their new babysitter is a real bloodsucking creature of the night — and it’s now up to them to rid their sleepy little town of the menace.
Two ‘resting’ actors living in a squalid Camden Flat – and living off a diet of booze and pills – take a trip to a country house (belonging to Withnail’s uncle) to ‘rejuvenate’. Faced with bad weather, altercations with the locals, and the unexpected arrival (and advances) of Uncle Monty, the pairs wits and friendship are tested… Set in 1969, the year in which the hippy dreams of so many young Englishmen went sour, 1986’s Bruce Robinson’s Withnail and I is an enduring British cult. Withnail is played by the emaciated but defiantly effete Richard E Grant, “I” (i.e., Marwood) by Paul McGann. Out-of-work actors living in desperate penury in a rancid London flat, their lives are a continual struggle to keep warm, alive and in Marwood’s case sane, until the pubs open. A sojourn in the country cottage of Withnail’s Uncle Monty only redoubles their privations.