It’s been one year since Elizabeth’s husband, Bill, died in a tragic horseback riding accident and she is starting to move on. When she runs into Travis Brown, the cowboy she met the same weekend Bill died, the two immediately hit it off. Travis is just what Elizabeth needed to come into her life and they soon get married. When new evidence surfaces implying that Bill’s death wasn’t an accident, Elizabeth must find a way to protect herself and her son from the man she married.
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Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
A man living in rural Wisconsin takes care of his bed-ridden mother, who is very domineering and teaches him that all women are evil. After she dies he misses her, so a year later he digs her up and takes her home. He learns about taxidermy and begins robbing graves to get materials to patch her up, and inevitably begins looking for fresher sources of materials. Based closely on the true story of Ed Gein.
The Thompson family is accused of murder when a stranger dies at their dinner table. Six months later, family friend Tim visits freelance therapist Dr. Eric Sacks and the story finds it’s way to the press. The facts are bent and the details spun as the Thompsons become known to the public as ‘The Family of Killers’.